What is halloween rated

Helped me decide. Had useful details 3. Read my mind 2. Adult Written by mayorm January 9, One of the first horror films your kid should watch Rather than relying on shock value and gore, this Carpenter masterpiece relies on creepy music, suspense, and Michael Myers stalking in the background. With little-to-no jumpscares, this is a great first horror movie to show your kids. Why should you be cautious? The opening scene is upsetting, showing a 6-year-old commit murder.

There's a little bit of blood, and some nudity part of a breast is shown. There's also a scene where a teenage girl shows her breasts for a good 30 seconds, and a sex scene with no nudity. Kills have very little, usually no blood, making this a subtle film. She does everything to protect the kids she's babysitting when Myers shows up. She fights, hides, and always makes sure the kids are safe, no matter what.

The ending is kept a mystery, unless you're compelled to watch the ultra-violent, not as good, but still entertaining sequel, Halloween II which shouldn't be watched until your child is at least This movie could make your child paranoid and scared, as it still is a scary movie Overall, watch with your kid, skip through the nudity, and let them enjoy one of the best horror films ever made.

This title contains: Positive role models. Helped me decide 2. Read my mind. Adult Written by ryanasaurus December 18, Ironically, I would recommend it for the preteens, though not for the younger kids; while viewers might find a good role model in Laurie Strode who, according to Jamie Kennedy from Scream, only survived this film because unlike some other characters, she never has sex and possibly Dr. One of John Carpenter's finest films, and a good view. Had useful details 1. Read my mind 1.

Adult Written by Goller The Film January 22, Perfect Horror Film for the Family! I don't care how overprotective you are. This film is fine. This has nothing to frighten your children, and is harmless. Helped me decide 1. Had useful details. Adult Written by megapicturez May 6, Good classic horror "Halloween" is a mostly mindless slasher flick. Giving the main villain more depth than just a ruthless killer would have been nice, but hey, you can't have it all.

The sex scenes were unneeded and obviously just thrown in to entice male viewers. However, Laurie Strode Jamie Lee Curtis is a positive female role model and teenage girls will be able to relate to her.

Teens 15 and up should be able to see this with no problem; perhaps even some mature 13 and 14 year olds. One shooting. One of Myers' victims is family dog. Some bullying: a young boy tripped while carrying a jack-o'-lantern, falls over, smashing the jack-o'-lantern in fall. Teens shown kissing, sleeping together, heard having sex under the covers. Brief female nudity: breasts after sex scene, breasts in another scene. Teens drink beer, smoke cigarettes throughout. A teen girl smokes a joint with her friend while driving, sees her sheriff father; the two do their best to get rid of the smell and act like they're not high when they talk to him.

Parents need to know that Halloween is the classic John Carpenter horror movie that introduced the world to the homicidal maniac Michael Myers. While not as gory and overtly violent as other horror movies, it still has plenty of violent moments. Characters are stabbed and strangled. One character is discovered dead and pinned to the wall with the knife still stabbed through him in the chest.

Myers chokes a family dog to death. Teens are shown having sex under the covers in bed brief topless nudity. Another scene shows bare breasts. Teens drink beer and smoke cigarettes. In one scene, two teens including the "good girl" character smoke a joint while riding around in a car; when they see the sheriff father of one of the girls, they do their best to get rid of the marijuana smell and try to act like they're not high while they talk to the father.

Some bullying: A little boy is tripped while carrying a jack-o'-lantern and smashes the jack-o'-lantern in his fall. Profanity includes "s--t," "goddamn," and "ass. Add your rating See all 62 parent reviews. Add your rating See all kid reviews. Some 15 years later, Michael escapes from an asylum on the anniversary of the murder. He soon becomes fixated on three high school girls who are looking forward to hot dates and a horror-movie marathon on trick-or-treat night -- all except for bookish Laurie Jamie Lee Curtis , who has to babysit.

While Michael's psychiatrist leads a skeptical sheriff around town in search of Michael, the killer gets to the schoolmates, one by one, until he's left with just Laurie, who's terrified but resourceful enough to fight back.

Of course, she's not caught unawares in bed with a boyfriend, either. Despite some unnecessary R-rated elements, this movie still provides frightening moments with more taste and subtlety you rarely ever see any blood -- you just think you do than its imitators.

Like Hitchcock, Carpenter has an innate sense of exactly where to put the camera, how to light a scene, and what to have going on in the frame to make you shudder and jump.

His use of careful silences and the sudden bursts of his now-famous pulsating electronic musical score are especially unnerving and effective. If critics could send a Terminator robot back in time to destroy a movie at the film-processing lab, all because of the countless trashy rip-offs and imitations it would inspire, Halloween would probably be the main target.

But many critics hail the original Halloween as a masterpiece, and it earned then largely unknown director John Carpenter a reputation as the new Alfred Hitchcock although maybe Orson Welles is more accurate, since Carpenter has never been quite able to make as big a hit again. Families can talk about what makes Halloween so scary, especially since it doesn't fall back on using gore-makeup effects or fancy, swooping digital camera angles. Parents might point out that director Carpenter pays tribute to the science fiction classic The Thing , which took a similar straightforward approach to a homicidal space monster somehow avoiding sex-minded teenagers and curse words in the process.

How did John Carpenter use point of view and music to create suspense, as opposed to overtly violent and bloody scenes? How does the movie depict teen life in the s? How is it similar to and different from teen life today? Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate. Streaming options powered by JustWatch.

Common Sense Media, a nonprofit organization, earns a small affiliate fee from Amazon or iTunes when you use our links to make a purchase. Thank you for your support. The result feels somehow both unnecessary and overwhelming, a familiar picture just painted over with a new layer of dirt and grime.

As such, the Halloween remake is at its best whenever it feels like a totally separate Rob Zombie movie. The second Zombie has to hit the beats already established by Carpenter, the film becomes immensely less interesting, the only real difference being its level of brutality.

Make no mistake, this is a brutal film, and Tyler Mane joins Kane Hodder in the rank of actors who took on a slasher role deep into its run and really made it theirs to lose. Halloween II is essentially the longest post-credits scene ever made.

But its greatest contribution is the reveal that Michael and Laurie are, in fact, long lost siblings, a twist Carpenter—back as co-writer and producer with Hill—has chalked up many, many times to mostly being a bit drunk and annoyed at having to continue a story he felt already worked as a standalone. First-time director Rick Rosenthal— blissfully unaware he would helm Halloween: Resurrection 21 years later — is basically just doing Carpenter to the best of his abilities, and does manage to use the innate claustrophobia of hospital hallways to creepy effect.

Less effective is the fact Jamie Lee Curtis is in a hospital bed for so much of this movie, a mistake that surely no other entry would repeat, especially not several decades later. It all snowballs from there, really. Halloween Kills , the second part of an already-announced trilogy , is wildly stabbing at two different identities; on one side, a poignant, timely take on the dangers of mob mentality, and on the other, a nasty throwback slasher where the sheer number of quirky characters killed in increasingly creative ways is the only thing that matters.

Regarding those titular kills, though: I kind of just really love the way Green and DP Michael Simmonds shoot Michael Myers when he's doing his thing, making the already-tall James Jude Courtney look like a foot-tall monument to monstrosity. I also really appreciate how handcrafted and practical the violence is throughout this movie. CGI blood has been the biggest bummer of modern horror, and any film that feels like a big group of people had to actually break out the rubber and liquid latex to get a good eye-gouge on to screen is overwhelmingly appreciated.

Call it a multiverse situation, if you have to. It wants to crack the character wide open—literally shredding pieces of his mask, exposing much of the man underneath—focusing specifically on the endlessly fucked-up relationship between him and his long-lost sister, Laurie Strode Scout Taylor-Compton.

Zombie was also freed from any sense of keeping his kills hidden from view; this is the most animalistic Michael Myers ever put on screen, grunting and heaving his way through some truly gnarly slayings.

An acquired taste, for sure, but not one without its gruesome, gory points to make about the cyclical nature of violence. This angle turns Halloween into a commentary on what it means for trauma to fester, to stew , embodied by a genuinely moving performance from Jamie Lee Curtis as a Laurie Strode who has never, in four decades, allowed herself to feel safe again. The initial thrill of this movie came from a filmmaking team who really got what makes Halloween scary; gone was the supernatural mythology, replaced once again by the sense of an evil so mundane it could infiltrate your happy home at any moment.

The one-take scene of Michael going door-to-door through Haddonfield, just casually wreaking havoc against anyone he comes across, is without a doubt fantastically orchestrated. With that said, though: Jibrail Nantambu deserved a Best Supporting Actor Oscar win and I will simply hear no arguments to the contrary.