When was brighton pavillion built

Brighton Dome — was commissioned by the Prince of Wales later King George IV whose taste for flamboyant fashions, outlandish architecture and mistresses is well documented. When visiting Brighton, the Prince was accustomed to staying at a small lodging house overlooking Old Steine. Additions and alterations to the lodging house eventually led the Prince to commission architect William Porden to draw up plans for a vast new stable block Concert Hall and riding house Corn Exchange for his horses.

It replaced the original stables which were located south of what was to become the Marine Pavilion. The interior clearly owed a debt to the design of the Paris Corn Exchange, whose segmented glass ceiling was mirrored in the original dome construction.

The Sussex Weekly Advertiser in records 61 stalls, 38 for hunters and other saddle horses and 23 for coach horses. All of this makes the Italians heirs of this tradition and responsible for its improvement. The Garden Pagoda Unlike the pergola, a garden pagoda is similar to a pavilion in that it has a dedicated roof that protects from direct sunlight and rainfall. Where the pagoda differs from a pavilion is in the roof, featuring tiered upward curved roof eaves.

Pagodas are square, hexagonal, or octagonal, in a plan. An Outdoor Pavilion is a structure you, family, and friends can hang out around on a warm summer day. The roof on the Pavilion will shade you from the harmful rays of the sun and keep you cool.

Surround yourself with family in an Outdoor Pavilion today. Table of Contents. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits.

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Performance Performance. Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors. Analytics Analytics. Those lucky enough to be able to do so might consider buying a holiday home. George, Prince of Wales, later King George IV , took that idea just a little bit farther, transforming a farmhouse into the remarkable Indian fantasy palace of pillars, domes and minarets that is the Royal Pavilion in the south-east city of Brighton.

Not all contemporary observers were impressed. Today, it is the most vibrant and exciting city in southern England outside London.

Ironically, when George first rented the farmhouse that would become the Pavilion, in , he did so to demonstrate financial restraint. Three years after coming of age, the prince was tens of thousands of pounds in debt, having spent far beyond his generous allowance indulging his passions for the arts, gambling, delightful food, drink and female company.

He had visited Brighton for the first time three years earlier with his uncle the Duke of Cumberland, a man of similar tastes, ostensibly for medical reasons. George clearly found Brighton to be a most convivial bolthole and returned here three years later with his mistress, Mrs Maria Fitzherbert, whom he had married in secret.

The modest farmhouse was thought an appropriate dwelling for a prince keen to repent his previous excesses. The following year, having persuaded Parliament to clear his debts, he bought the farmhouse and commissioned Henry Holland to extend it into a neo-classical villa, the Marine Pavilion, which soon became his favourite residence.

New buildings were added over the next 20 years, including a huge new stable block now the Brighton Dome concert hall and theatre , which could accommodate 62 horses. No expense was spared.

Outside, the pavilion is an Indian Mughal palace sort of. But inside, the unifying decorative theme is Chinoiserie, the craze for Chinese decorations that had been so fashionable in English country houses during the 18th century.

Here, the subdued colours of the Long Gallery are succeeded by a rush of light and space, with a vast domed ceiling high enough to accommodate the average house, crowning a wide room filled with an array of treasures.

A massive chandelier, 30 feet long and a ton in weight, is held in the jaws of a huge silver dragon below the ceiling. A ring of six smaller dragons surround the glass chains of the chandelier, their necks curled upwards beneath large lotus flower lampshades into which they would have appeared to be blowing the flames of the oil lamps flickering inside.